|
|
|
|
“...deceptively intelligent.”
—
Bret McCabe, Dallas Observer
"Along the way, the Arts
Center has come to stand for many things: art as a continuing process,
equal parts preservation of the past, presentation of the now, and
preparation for the future; art as local, its definition reclaimed
from the ruling classes and returned to the people; and, ultimately,
art as expression, unfettered by boundaries."
– "Mixed
Signals," by Matt Weitz, Dallas Observer,
April 2001.
"Alum's
Artwork Explores Violent Weather," by T. Eck, The Daily
Campus, June 1988.
"Plaza
Hosts Third Annual Sculpture Exhibit," Americas Monthly,
July 1988.
"Violent
Tornados and the Whirlwind: Kaleta Doolin,” by Ed Howard,
Arts Dallas Magazine, Summer, 1988.
“A
World of Black and White,” by Ellen Sweets, The Dallas
Morning News, Feb. 1996.
"Where
Rivers and Artists Meet," by Janet Kutner, Dallas Morning
News, June 1996.
“Lost
Art: Dallas’ most Compelling Art Museum is Hidden away in
an Old East Dallas Firehouse,” by Matt Weitz, Dallas
Observer, June 1996.
Introduction
to the Pen Pals Installation Catalog, by Bill Verhelst, Vizivarosi
Gallery, Budapest, Hungary, 1998.
"Bridge
Building: A Tiny Studio Unites an East Dallas Neighborhood,"
by D. Architecture, The Dallas Morning News, August
2000.
The
5th Annual National Bridging the Gap Awards 2000 Awards Program
Booklet.
Introduction
to the Picture I.D.Catalog, University of Texas at Dallas, School
of Arts and Humanities, March 2002.
Guidebook
from the 16th Annual Dallas Video Festival, March
2003.
|
|
|
|
|